"No limit, no definition, may restrict the range or depth of the human spirit's passage into its own secrets or the world's." - Goethe
Friday, May 31, 2013
My home is not a home
No peace rest solace comfort except at drunken 3am laying down in the still streetlight-lit park. Gentleness of only inhumanly sounds trees swaying leaves twitching softly. The earth cradled me. Gave me more of a home than my own.
Give me two coins
Set them on my eyes. The boat is here to take me there. But bodies cannot make promises for souls.
We Are Not Dead
Absolutely fascinating portrait project, on so many levels - psychological, social, artistic, to name a few:
Portraits of Soldiers Before, During, and After War
Captured are "the innocent expressions of these men transformed into gaunt, sullen faces in less than a year."
What’s
especially fascinating to me is how most of them look so acutely engaged in the
“at war” photos. It’s as if their life force is drained after experiencing
everything and interacting with the world around them so intensely.
Thursday, May 30, 2013
Under The Gun
SISTERS OF MERCY
You don't have to say you're sorry
To look on further down the line
Into the sun
Too close at heaven
Love is fine
But you can't hold it like a...
Two worlds apart two together
Into that good night kiss away
One takes the hard, one the other
Kiss away
Are you living for love?
Are you living for love?
When the road gets too tough
Is your love strong enough?
Are you living?
Are you living for love?
Are you living for love?
Are you living?
Are you living for love?
Are you living for love?
Do you feel your head is full of thunder?
Questions never end
Empty nights alone no wonder
It all comes back again
Are you living for love?
Are you living for love?
I've been under the gun
I've lost and I've won
Are you living for love?
Are you living for love?
I've been under the gun
I've lost and I've won
(one, two, three four...)
Forget the many steps to heaven
It never happened and it ain't so hard
Happiness is a loaded weapon and a
Shortcut is better by far
Explosive bolts, ten thousand volts
At a million miles an hour
Abrasive wheels and molten metals
It's a semi-automatic, get in the car
Corrosive heart and frozen heat
We're worlds apart where we could meet
Where the streets fold round and the motors start
And the idiots wield the power
Where the chosen hold the highest card
On the field of honour where the ground is hard
So the highest hand is joking wild
And the house soon fold and no one stand
I put my finger on and dialed
Nine nine nine, singer down
Cloudburst and all around
The first are last, the blessed get wired
The best is yet to come
I put my finger on and fired
Heat-seeking, out of the sun
You can set the controls for the heart or the knees
And the meek'll inherit what they damn well please
Get ahead, go figure, go ahead and pull the trigger
Everything under the gun
You don't have to say you're sorry
To look on further down the line
Into the sun
Too close at heaven
Love is fine
But you can't hold it like a...
Two worlds apart two together
Into that good night kiss away
One takes the hard, one the other
Kiss away
Are you living for love?
Are you living for love?
When the road gets too tough
Is your love strong enough?
Are you living?
Are you living for love?
Are you living for love?
Are you living?
Are you living for love?
Are you living for love?
Do you feel your head is full of thunder?
Questions never end
Empty nights alone no wonder
It all comes back again
Are you living for love?
Are you living for love?
I've been under the gun
I've lost and I've won
Are you living for love?
Are you living for love?
I've been under the gun
I've lost and I've won
(one, two, three four...)
Forget the many steps to heaven
It never happened and it ain't so hard
Happiness is a loaded weapon and a
Shortcut is better by far
Explosive bolts, ten thousand volts
At a million miles an hour
Abrasive wheels and molten metals
It's a semi-automatic, get in the car
Corrosive heart and frozen heat
We're worlds apart where we could meet
Where the streets fold round and the motors start
And the idiots wield the power
Where the chosen hold the highest card
On the field of honour where the ground is hard
So the highest hand is joking wild
And the house soon fold and no one stand
I put my finger on and dialed
Nine nine nine, singer down
Cloudburst and all around
The first are last, the blessed get wired
The best is yet to come
I put my finger on and fired
Heat-seeking, out of the sun
You can set the controls for the heart or the knees
And the meek'll inherit what they damn well please
Get ahead, go figure, go ahead and pull the trigger
Everything under the gun
Tuesday, May 28, 2013
On Repeat, Til I Sleep
But I don't.
Klonopin, Doxylamine, and my second glass of wine. No sleep. Sedated, but no sleep.
so I wait hoping the concoction will knock me out sometime before...well, it's 2:00 am and I need to be up for work in 4 hours. If I were free to enjoy my time as I please, I would have nothing but gratitude for this visit paid to me by the spirits of night, to spend time with her orange muted glow of fog-shrouded city streetlights, the unlikely and uncommon thoughts and sensations she brings to me. And put her on repeat.
Klonopin, Doxylamine, and my second glass of wine. No sleep. Sedated, but no sleep.
so I wait hoping the concoction will knock me out sometime before...well, it's 2:00 am and I need to be up for work in 4 hours. If I were free to enjoy my time as I please, I would have nothing but gratitude for this visit paid to me by the spirits of night, to spend time with her orange muted glow of fog-shrouded city streetlights, the unlikely and uncommon thoughts and sensations she brings to me. And put her on repeat.
I want to stay up and watch Fur: An Imaginary Portrait of Diane Arbus, one of my most favorite movies in the whole world.
Sunday, May 26, 2013
Ballets & Tragic Plots
It's 4:00 am. I cannot sleep.
Watching Black Swan again tonight reminded me of my mother, who, years before I was born, used to dance and teach ballet. I remember this beautiful old picture-book she had of Giselle, and when she read it to me and presented the story, she told me it was her favorite ballet. It's about a girl who dies of a broken heart because she loves someone she cannot be with, but in the end is redeemed and transcendent because of the power of her love.
Then, I remembered how she used to read me original Hans Christian Anderson fairy tales, being sure I was well educated as to the real story of The Little Mermaid - not some cheesy Disney crap where women are proportioned like Barbies and everything is happy in the end and the good side wins and the bad side loses. No, that original story was much more like Giselle, and as far as I know, it was my mother's favorite fairy tale. The Little Mermaid never gets her prince, but to try, she willingly undergoes physical and heart-rending torment and is ultimately faced with either killing her prince, and returning to live three hundred years as a mermaid with her family, or dying and turning into nothing but foam upon the sea (while humans are granted eternity in Heaven). She does not kill her prince.
Immersing myself for a while in the memories of these stories as she presented them to me, I wonder if I haven't learned anew a thing or two about her heart.
Watching Black Swan again tonight reminded me of my mother, who, years before I was born, used to dance and teach ballet. I remember this beautiful old picture-book she had of Giselle, and when she read it to me and presented the story, she told me it was her favorite ballet. It's about a girl who dies of a broken heart because she loves someone she cannot be with, but in the end is redeemed and transcendent because of the power of her love.
Then, I remembered how she used to read me original Hans Christian Anderson fairy tales, being sure I was well educated as to the real story of The Little Mermaid - not some cheesy Disney crap where women are proportioned like Barbies and everything is happy in the end and the good side wins and the bad side loses. No, that original story was much more like Giselle, and as far as I know, it was my mother's favorite fairy tale. The Little Mermaid never gets her prince, but to try, she willingly undergoes physical and heart-rending torment and is ultimately faced with either killing her prince, and returning to live three hundred years as a mermaid with her family, or dying and turning into nothing but foam upon the sea (while humans are granted eternity in Heaven). She does not kill her prince.
Immersing myself for a while in the memories of these stories as she presented them to me, I wonder if I haven't learned anew a thing or two about her heart.
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